Edited by Tom McSorley. Published by the Canadian Film Institute, 2013.

Contributors: Scott Birdwise, Marc Glassman, Mike Hoolboom, Tom McSorley, Jessica Mulvogue, Christopher Rohde, Jerrett Zaroski

Intellectually febrile, philosophically fertile, and formally agile, the works of Daniel Cockburn are propelled by that great Canadian cinematic preoccupation with ontological and epistemological uncertainty. By turns essayistic, diaristic, satiric, poetic, dramatic, and comedic, Cockburn’s explorations grapple with our predicament of existing in time.